(from
beat-sketching, July '03)
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Shard 'Wished
and then Kissed' self-release
It would be far too easy to pigeonhole this five-piece as a glammy,
Gothy rock band, and far too wrong. The first and fourth tracks might
use that thin-sounding guitar much loved by the Cure to create a chilling
atmosphere of urban unrest, but what sort of stereotypical Goth band
records rehearsal room laughter? Shard are having too much fun in their
well-crafted explorations (despite what might be suggested by the kind
of voice that's been described as 'whiny'). 'The Modern Way to Madness'
also has a great stop-start rhythm that almost sounds ska to me, and
a glorious chaos of weird synth noises in background. 'Near' has a similar
sort of electronic mood to recent Radiohead (but, obviously, on a much
tighter budget!). The style of quiet/loud dynamics in 'Daytime in Leatherlime'
makes me think of Slint if they met a nice girl and watched violent
cartoons together. Others might suggest someone like the Deftones with
a much prettier voice. The right words for this sort of music, then,
must just be dark pop, where pop is the best thing to be: an unashamed
reworking of all kinds of styles to produce something new. It's so fresh
it should come in aerosol form.
They already sell their own make-up
besides badges and shirts: www.shardmusic.co.uk
or send £4.50 per CD to Laurence Renney, 146 Bearton Rd, Hitchin,
Herts, SG5 1UB.